It is hard to understand why this amazing film is heading to Netflix rather than the big screen. I guess partly because they optioned to produce it in the first place, although I’m sure that it would be very successful (other that the fact that it is partly subtitled) in a theatre run. It is every bit as well made and relevant as Twelve Years A Slave. It will undoubtedly be an Emmy contender and is worthy of an Oscar nomination. This is the second great Netflix film I’ve seen at this year’s festival, both strong social commentaries. Good on them!
I was extremely impressed with the photographic direction and the actual direction of the film. It is a richly shot film with all kinds of effects that one would expect from the same director responsible for the first season of True Detective. This is the screen adaptation of the book of the same name by Uzodinma Iweala, about the abduction and service of a young boy as a child soldier. Its big name star is Idris Elba who plays the ruthless and manipulative Commandant, but the real star is the boy soldier played by Abraham Attah, who won the best actor award at the Venice Film Festival. The movie is so intense that people around me in the audience were visibly shaken, cringing and averting their eyes. It is a naked look at what it means to be a child soldier in Africa (or probably in the Middle East as well). This film has it all, from strong action scenes to great acting performances, to a depth and empathy of the political situation. It works on many levels.
I would give this film an A. One way or another when this is released you have to see it, even if it makes you uncomfortable.
PS: For those of you with an Integral Theory leaning, you will find this film very enlightening in showing the ways in which Amber controls Red and Orange controls (though not always successfully) Amber. …It made me think of how possibly Green controls Orange.